The Olympus OM-System Zuiko Auto-Zoom 75-150mm F4, a two-touch parfocal telephoto zoom, was the first zoom lens produced for the OM-System cameras. The lens was released as early as 1974. Besides adding an 'MC' stamp on models released after 1984 which indicates that the lens was Multi-Coated, only a few details about the coating on the original version were available.
The lens was introduced when prime lenses were still the choice of photographers, and when telephoto zooms were just about getting into the picture. The parfocal design allows for the lens to stay in focus when magnification/focal length is changed. There is inevitably some amount of focus error, but too small to be considered significant.
The Zuiko Auto-Zoom 75-150mm F4 excels not only with a unique technological advancement in both optical and mechanical construction that enables its design to be not only compact and lightweight, but quite a heavyweight by today's standards though, it weighs a hefty 430 grams, but also the capacity of delivering high-quality images.
OLYMPUS OM-SYSTEM 75-150mm f/4 Lens | Real Life Quick TEST
A day with Olympus OM-System Zuiko Auto-Zoom 75-150mm f:4.0 Lens on Canon EOS 5D Mark 2 Full Frame Camera. Standard picture style used and not color graded #bursadazaman Good lens with good contrast and sharpness
The lens, which uses an original OM optical design, earned the reputation of possibly being one of the bestsellers out of Olympus's OM-System lenses. The design was adapted and used as the standard zoom configuration and was used for virtually all two-touch tele-zooms subsequently launched by Olympus.
Design and Build
The 75-150mm zoom lens, which covers a frequently used range of popular telephoto lenses from short to medium focal length, is of 15 elements in 11 groups of construction and comes with an 8-blade automatic full aperture metering diaphragm. The lens has a close focus distance of 1.6 meters and it was designed to incorporate an automatic correction mechanism against close distance aberrations. The design feature enables the lens to maintain its high-quality optical performance even at the closest focus distance, a plus to the exceptional value of the lens.
Different from the normal form factor of an Olympus prime lens where the aperture ring is located right up front, control of the Auto-Zoom is done in reverse. Each of the three independent segments for focusing, zooming, and aperture setting are front to back with the aperture control ring nearest to the lens mount. This makes for a more logical control where all the essential controls for image-making procedures are conveniently positioned for quick and easy access.
A feature of the lens is a built-in retractable lens hood, a physical extension that adds to the advantage when using the lens, say, for backlighted subjects. The lens takes 49mm filters, which is almost the standard size for most OM-System lenses. Add this to the parfocal design, where the focus stays fixed as you zoom in and out of the range, and you have another avenue to be pleased about.
Walking the Zoom
On The Olympus E-P5
On the Olympus Pen E-P5, the Auto-Zoom 75-150mm F4 is a bit of a monster, extending out to 145mm (115mm lens + 30mm adapter) from the lens mount, with its weight exceeding the 420-gram weight of the Pen E-P5, with battery included.
On the 2x crop-sensor Olympus E-P5, the lens will be the equivalent of a 150-300mm zoom lens, which slots itself right into the low end of the super-telephoto category, where the focal length is not really handholdable. With the heavy front, mounting the E-P5/OM Auto-Zoom 75-150mm F4 on a tripod should not even be a consideration.
I persisted with the handheld setup to grab these sample images. Holding the camera steady with its whole weight resting on the palm of my left hand is just about manageable. With a pre-set aperture setting and a focus that does not shift while you zoom through the focal range, managing the zoom ring is all you need to worry about.
The image quality of these shots is quite amazing, and what I like most are these crisp and sharp images with what I termed as 'neutral Olympus colors' which are of inherently moderate contrast, a characteristic fairly consistent across the Olympus OM range of lenses. These images, however, do come with a tint of blue.
Repeating what I said earlier, the Auto-Zoom 75-150mm F4 can be a bit of a heavyweight and should be handled with a degree of care when mounted and used on the E-P5, or any other mirrorless bodies for that matter.
Though the lens and adapter are solid enough to stand the shakes and bumps of normal use, the lens mounting may not take the load when used over extended periods.
Vintage Camera Marketplace by ImagingPixel
and camera add-ons. Follow ImagingPixel on Facebook, Pinterest, and Twitter.
No comments:
Post a Comment