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Monday, September 28, 2020

Konica Hexanon AR 50mm 1:1.7, A Second Look

Konica Hexanon AR 50mm 1:1.7, A Second Look
Olympus E-P5, Konica Hexanon AR 50mm 1:1.7
Olympus E-P5, Konica Hexanon AR 50mm 1:1.7
Olympus E-P5, Konica Hexanon AR 50mm 1:1.7
Olympus E-P5, Konica Hexanon AR 50mm 1:1.7
The Vintage Enthusiast: Image making with a Konica Hexanon AR 50mm 1:1.7, testing a fully functional second copy.
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After the failure of the first Hexanon AR 50mm 1:1.7 which came with a faulty aperture ring, I had a second copy ordered and it came in through the mail a couple of weeks later. This one is definitely better physically than the earlier one and is a full working copy with clean and clear glass, glide-smooth focus, and a fully functioning aperture ring and blades.

My first chance at testing the lens was, as usual,  out in the mini garden in front of the house, shooting away at the few and only plants available in the garden, and the mango tree just outside the yard. Initial images do show the indication that the lens may be true to its words as one of the sharpest 50mm lenses ever produced during the era.

Olympus E-P5, Konica Hexanon AR 50mm 1:1.7
Olympus E-P5, Konica Hexanon AR 50mm 1:1.7

The earlier version of the lens was first introduced in 1973 as a kit lens for the Autoreflex T3, gaining a reputation for its optical performance, particularly its sharpness. The lens was later updated as a smaller and lighter version for the Autoreflex TC, as seen here, mounted on the Olympus Pen E-P5 with a hood on the front end.



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Monday, September 21, 2020

Micro Photography, Analog Reverse Ring Macro Setup

Olympus OM-2S, Super Takumar 55mm 1:1.8, Reverse Ring
Olympus OM-2S, Super Takumar 55mm 1:1.8, Reverse Ring
Olympus OM-2S, Super Takumar 55mm 1:1.8, Reverse Ring
Olympus OM-2S, Super Takumar 55mm 1:1.8, Reverse Ring
Olympus OM-2S, Super Takumar 55mm 1:1.8, Reverse Ring
Reverse ring analog macro setup with a Super-Takumar 55mm 1:1.8 mounted on an Olympus OM-2S.
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A belated post. My first try at doing reverse ring macro photography on film, after having done the same with the Super-Takumar 55mm 1:1.8 reverse mounted on the Olympus Pen E-P5 earlier on. For the session I had the lens reverse mounted on the Olympus OM-2S instead.

This setup was simpler as all you need is the reverse ring adapter, which now attaches straight to the lens mount of the OM body, and the lens reverse screwed to it. Color characteristics of the images were quite similar with both setups, with magnification half to that of the digital capture.

Olympus OM-2S, Super Takumar 55mm 1:1.8, Reverse Ring
Olympus OM-2S, Super Takumar 55mm 1:1.8, Reverse Ring

As can be seen from the images, the handling of the film negative strip during development and the subsequent scanning session shows a fair amount of shoddy work, which, of course, could have been better.



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Monday, September 14, 2020

Yashica ML 35mm 1:2.8, A Monotone Edit

Yashica ML 35mm 1:2.8, A Monotone Edit
Olympus E-P5, Yashica ML 35mm 1:2.8
Olympus E-P5, Yashica ML 35mm 1:2.8
Olympus E-P5, Yashica ML 35mm 1:2.8
Olympus E-P5, Yashica ML 35mm 1:2.8
The Vintage Enthusiast: Image making with a Yashica ML 35mm 1:2.8, enhancing a monotone edit.
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Another session with the Yashica ML 35mm 1:2.8 mounted on the Pen E-P5, with images shot in RAW, post-processed, and print-enhanced for web publishing. Images were edited with Auto Tone Correction, enhanced further with a higher dose of contrast setting in Monochrome & Sepia, Tone Curve, and Unsharp mask.

Olympus E-P5, Yashica ML 35mm 1:2.8
Olympus E-P5, Yashica ML 35mm 1:2.8



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Monday, September 7, 2020

Found Slides, Red, Rustic, and Yellow

Red, Rustic, and Yellow
Red, Rustic, and Yellow
Red, Rustic, and Yellow
Red, Rustic, and Yellow
Red, Rustic, and Yellow
Vintage color film slides from the '80s, found, scanned, and post-processed for web publishing.
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