One of the options of having the equivalent of a 'nifty-fifty on a 2x crop sensor Micro 4/3 digital camera, is to mount the camera with a manual focus lens with a focal length of 28mm. This setup will give you a lens with the equivalent focal length of 56mm, which is slightly longer than what a true 50mm prime will give you. You might, on the other hand, try the option with an ultra-wide 24mm lens, which makes it the equivalent of a 48mm lens, but like you, these ultra-wides could cost you much more to acquire.
One good example of a 28mm 1:1.8 manual focus lens, appreciated and acknowledged because of its exceptional quality performance, is the Canon (new) FD 28mm 1:1.8. the last and most popular among Canon's FD 28mm lenses.
The lens is very compact, with plenty of plastic parts, measures 40mm overall, a lightweight at 170 grams, and is the second lightest among the FD lenses. The lens takes 52mm filters, and unique with these 7 elements in 7-groups is that the lens has two convex front elements incorporated into the design as elements to reduce spherical aberration.
,p>If you are like me, as some of you might have noticed, I shoot both analog and digital. Having a lens that can be used both on a digital (Olympus E-P5 with adapter) and analog (Canon 35mm SLRs) is always a cost-saving, with the added advantage that I also have a lens with 2 effective focal lengths. On the E-P5, the lens is almost a perfect 'nifty-fifty, and on Canon's A-series 35mm SLRs, it is the perfect wide-angle lens.
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